It seems I forgot to post on this Lindemans Oloroso. It was opened in the first week of August at a dinner tasting and there are the wines that were opened:
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DinnerAug3'19b.jpeg
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1998 Schramsberg 'J. Schram' (12.5%)
2009 Christian Moreau Chablis 1er Cru 'Vaillon' (12.5%)
2005 Domaine des Perdrix Nuit Saint George 1er Cru 'Les Terres Blanches' Blanc (13%)
1985 Taurino 'Notarparano' Rosso del Salento (13%)
2007 Mastroberardino 'Mastro, Campagnia (12%)
2002 Frederic Magnien Chambolle-Musigny 'Baudes' (13%)
1985 Moutonne Baronne Philippe en homage a Pauline, Pauillac (illegible)
N/V Lindemans Show Reserve Oloroso Z273 (21%)
What I posted was the following:
"No notes but all were good to excellent wines except for the Perdrix NSG which was decidedly tired, "old and decrepit" was how I remembered it being described. The '98 Schramsberg was very nice, a grand impersonation of a champagne, still youthful, and nowhere near tired. Some of us thought it was a blanc de blanc. The '09 Moreau Chablis Vaillon was lovely, also youthful with some ways to go. The Perdrix NSG was a recent purchase and not likely well stored so it came as no surprise that it was tired with a hint of maderization, although one taster thought it interesting and not too bad. This might be the oldest white burgundy I've had. The '85 Notarparano fulfilled its duty as it was a purchase based on a rave review by Parker who said it was one to last into the next century. It is a single vineyard wine comprised of Negro amaro and Malvasia nera. The '02 Magnien Chambolle-Musigny was young and intense, it completely flummoxed us as no one picked it for a burgundy. I am now leaning towards the idea that good burgundy needs just as much as much if not more time in bottle than almost any other cellaring wine. The Mouton Baronne Philippe was just a lovely bottle of mature Bordeaux and in a very nice place. The Lindemans Oloroso was a lovely bottle of sherry and needless to say completely surprised everyone by being Australian. The play between the off dry character and the nutty, maderized notes were tantalizing."
Now, almost two months later, having had to pack and move from an insurance paid condo accommodation to back home (a long story), I finally got down to drinking the remnants of the bottle. Despite all the air in the bottle and the oxidation that has occurred, this remains a superb sherry. The nose is certainly drier, but it is laden with a fragrant oak, nutty, and madeirized nose, with a hint smokiness. The palate is a little bit lighter, but has a very intense, dry, lenghty finish, and there is a delicate, lacy quality to the palate, with peanut skins, old oak, and a sherried, oxidative character that lingers. An absolute delight.
Why, oh why, did Australians give up on their sherries? These sherries are a lost treasure.
Mahmoud.