Mahmoud Ali wrote:Personally I think there is far too much hand wringing about temperature, taste and "conditioning". Certainly we should all be drinking wines at the right temperature, and of course people have different tastes and there are people who do and don't drinks spirits. But surely this discussion should revolve around an objective analysis of wines and their quality.
If we reduce the discussion to the level of what people are conditioned to, or their likes and dislikes, then we may as well throw wines criticism out the window and allow wine like Little Penguin its place in the sun as a great wine to those who love it. However, I am assuming that most people in this forum are interested in what makes a good quality wine and the standards by which wine professionals/wine enthusiasts judge them.
Objectivity in wine analysis doesn't go far beyond the basics, there ARE too many subjective, personal preferences, environmental factors and (yes) conditioning at play. That's why you get results like the Geoff Kelly report discussed in another thread and why the correlation of the same wines winning similar medals in different wine shows could be as low as 30% and different (competent) reviewers arrive at vastly different conclusions about the same wine and (locally accepted) Aus wines are regularly trashed in some overseas publications.
Mahmoud Ali wrote:I also think we can agree that there is such a thing as too much oak but that each person may have a different response to that level of oak. However we should agree that too much oak in a wine (keeping in mind it's style and evolution) is a flaw. Similarly, too much alcohol in the finish is also a flaw though tolerance levels may differ.
Exactly, it's a personal, subjective assesmment of objective criteria.
Mahmoud Ali wrote:It is disingenuous to talk about spirits and "conditioning". Spirits are a different drink, just as beer is a different drink. Would anyone accept a whisky drinker suggesting that beer is dilute because it has less alcohol? In the same way I think it is silly to say that a Scotch drinker is used to high alcohol levels and therefore may not be able to discern a hot wine. Much as I like single malts at 40%+ a/v, I do occasionally find that a port at 20% a/v can be hot. The whole Scotch/Brandy thing is a red herring.
RB, I quite agree with you about warmth in a wine, however to me it has a different meaning. I associate "warm" as a quality I find in wines with richness and complexity. I tend to use the descriptor "warm" not as an alcohol sensation but rather as part of a rich, ripe, warming quality in an older mature wine.
I'm not suggesting "not be able to discern", more "not regard it as unpleasant or a fault". I'll run a Poll shortly to see what other people think.
I tend to use warm in the same way as you describe, but I also suspect that as fruit and tannins mellow and soften, the alcohol is there, mostly unchanged and becomes a little more apparent as desirable warmth in the absence of the sharper youthful flavours.
Mahmoud Ali wrote:Drinking a wine at a "cool" 16-18 degrees, if you detect heat or warmth as a distinct, separate sensation then my guess is the wine can be described as hot, a little or a lot depending on the degree to which it makes itself known. If the wine is rich, fleshy, ripe and warm, all together in an integrated way, then you needn't worry about talking about alcohol levels or the "warmth" of the wine as a separate quality.
Methinks that the effort to distinguish a difference between warm and hot is perhaps an attempt to defend the the rise of so many high alcohol wines and the predictable reaction to them.
Since I raised the topic I can answer categorically that I'm not defending high alcohol wines per se, especially the soft, flabby unbalanced ones. But I do think the current fuss in the wine and popular press about high-alcohol wines has been a bit carried away in the push for moderation in alcohol consumption due to widespread abuse.
I don't think the alcohol abusers are going to seek out $30 Warrabilla reds as their drink of choice, or that the people who generally buy those sort of wines are often alcohol abusers or addicts.
As one wine producer wrote to me about this topic:
"It amuses me when I see a critic praising richness of flavour and soft mouthfeel and then saying the wine would be better if it was 1% less alcohol. They do not seem to realise that it would then have less richness and mouthfeel. You can't just dial in the numbers."
The market will decide, if politicians don't intervene, if people keep buying the wines, they will continue to be made as many areas of Australia simply produce grapes that are properly ripe at high baume levels and not before. Certainly viticultural practices can modify this to some extent, but in the words of Drew Noon:
"We never decided to make that style of wine. That's what we have to make. If you were here, you would be making them too. The fruit we've got dictates the style. You couldn't make anything else. You could make lighter wines but they would not be as good because they would not be the best expression of the site. We don't let them hang out there for the sake of it; sometimes we can't get them in fast enough.”